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Submissions from 2022

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Review of José Luis Nogales Baena, editor. Obras completas de Juan Manuel Torres: Tomo 1., Enrique Sacerio-Gari

Submissions from 2021

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Ficción y cientificismo: Opendoor y Paraísos de Iosi Havilio y La comemadre de Roque Larraquy” [Fiction and Scientism: Iosi Havilio’s Opendoor and Paraísos and Roque Larraquy’s La comemadre], Martín L. Gaspar

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Review of Alain Lawo-Sukam. Guineo-Ecuadorian poetry in Spanish in its colonial and (trans)national context, Enrique Sacerio-Gari

Submissions from 2020

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Book Review: Vernacular Latin Americanisms: War, the Market, and the Making of a Discipline, Martín L. Gaspar

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Sentimientos encontrados: los epistolarios ficcionales de La novela semanaly sus flirteos cosmopolitas [Contradictory Feelings: the Fictional Epistolary Narratives in La novela semanal and their Cosmopolitan Flirtations, Martín L. Gaspar

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Orient is not a museum piece: Jorge Luis Borges, the orientalist key and the manuscript of "What is Buddhism", Enrique Sacerio-Gari

Submissions from 2019

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Ante el "hombre nuevo": dandismo y monstruosidad en Bomarzo, de Manuel Mujica Lainez, Martín L. Gaspar

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(Review) Borges-Bioy en contexto: Una lectura guiada de H. Bustos Domecq y B. Suárez Lynch, by Cristina Parodi, Martín L. Gaspar

Submissions from 2018

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Minor Translations and the World Literature of the Masses in Latin America, Martín L. Gaspar

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Re-Discovering Brazilian Literary History: The Case for Translation, Martín L. Gaspar

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Vulgarity as an aesthetic and political category in Borges’s works, Martín L. Gaspar

Submissions from 2017

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Apuntes para una teoría de la traducción latinoamericana, Martín L. Gaspar

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Ilustrar e imprimir. Una historia de la cultura gráfica en Buenos Aires, 1830-1930. Sandra Szir (Coord.), Martín L. Gaspar

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La liturgia del duelo y la voz popular en tres relatos de cuchilleros de Borges, Martín L. Gaspar

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Review: Women and power in the Spanish Theatre of the Golden Age: The figure of the Queen, Maria Cristina Quintero

Submissions from 2015

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Review of Isabel M. Elstrada, El documental cinematográfico y televisivo contemporáneo: memoria, sujeto y formación de la identidad democrática española. Woodbridge: Tamesis. 2013., H. Rosi Song

Submissions from 2014

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Prefacio (Preface), Martín L. Gaspar

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Back to the Future: Towards a Cultural Archive of la Movida, William J. Nichols and H. Rosi Song

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El intelectual español y el problema de la nación: Del franquismo a la Constitución de 1978, H. Rosi Song

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Historias de política ficción de Manuel Vázquez Montalbán o la indagación de un trauma español, H. Rosi Song

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Visual Fictions and the Archive of the Spanish Civil War, H. Rosi Song

Submissions from 2012

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The Tradition of Anonymity in the Andes, Martín L. Gaspar

Submissions from 2011

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The New Task of the Translator in Contemporary Latin American Fiction: The Case of Alan Pauls’ The Past, Martín L. Gaspar

Submissions from 2010

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En torno al género negro: ¿La disolución de una conciencia ética o la recuperación de un nuevo compromiso político?, Rosi Song

Submissions from 2009

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2009 Hard-Boiled for Hard Times in Leonardo Padura Fuentes’s Detective Fiction Hispania. 92.2 (2009): 234-43., H. Rosi Song

Submissions from 2005

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Defending the Idea of Spain against Democracy in the Texts of Federico Jiménez Losantos, H. Rosi Song

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Tracing the Past: An Introduction, H. Rosi Song and Eloy E. Merino

Submissions from 2004

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Camp: What’s Spain Got To Do With It?, H. Rosi Song

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From Enfant Terrible to Prodigal Son: Terenci Moix’s Embrace of a Literary Tradition, H. Rosi Song

Submissions from 2003

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El neopolicial de Paco Ignacio Taibo II: una resolución de la Historia?, H. Rosi Song

Submissions from 2002

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Resolviendo crímenes al otro lado del Atlántico: el viaje de Carvalho a Latinoamérica, H. Rosi Song

Submissions from 2000

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Review of Del Siglo de Oro (métodos y relecciones), by José Lara Garrido, Maria Cristina Quintero

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Review of Tirso De Molina: His Originality Then and Now, edited by Henry W. Sullivan and Raúl Galoppe, Maria Cristina Quintero

Submissions from 1998

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Monarchy and the Limits of Exemplarity in the Teatro Palaciego of Francisco Bances Candamo, Maria Cristina Quintero