Submissions from 2023
Back to the (Winter) Garden: On Still Video, Motion Pictures and the Time of Early Photography, Lisa Saltzman
Submissions from 2022
Sarah Winchester: Silicon Valley Developer, Homay King
Review of 'Painting in Stone: Architecture and the Poetics of Marble from Antiquity to the Enlightenment', Dale Kinney
Review of 'The Making of Medieval Rome: A New Profile of the City, 400–1420 by Hendrik Dey', Dale Kinney
Submissions from 2021
Introduction: Future Varda, Rebecca J. DeRoo and Homay King
Anna May Wong and the Color Image, Homay King
Floating Roots: Agnes Varda's Uncle Yanco, Homay King
Found Iconography, Dale Kinney
Review of St. Paul's outside the Walls: A Roman Basilica, from Antiquity to the Modern Era, Dale Kinney
Rewriting the renouveau, Dale Kinney
Review of Leonora Neville, Byzantine Gender, Leeds: Arc Humanities Press, 2019, Alicia Walker
A natural history museum visitor survey of perception, attitude and knowledge (PAK) of microbes and antibiotics, Julia Zichello, Preeti Gupta, Monique Scott, Bella Desai, Ruth Cohen, Lauri Halderman, Susan Perkins, Ana Porzecanski, Paul J. Planet, Yael Wyner, Martin Blaser, Robert Burk, Judy Diamond, Rod Kennett, Jennifer Borland, and Rob DeSalle
Submissions from 2020
Germany/ England: inside/outside, David Cast
Dyeing the Springtime: The Art and Poetry of Fleeting Textile Colors in Medieval and Early Modern South Asia, Sylvia W. Houghteling
The Church Basilica, Dale Kinney
Submissions from 2019
The Collector of Lives: Giorgio Vasari and the Invention of Art (Review), David Cast
Tools of the Master Dyer: Dye Materials in 17th and 18th Century South Asian Painted Cotton Textiles at the Metropolitan Museum of Art, Sylvia W. Houghteling
Liturgy, Space, and Community in the Basilica Julii (Santa Maria in Trastevere), Dale Kinney
Submissions from 2018
Painting as Medicine in Early Modern Rome: Giulio Mancini and the Efficacy of Art, David Cast
Communication in A Visual Mode: Papal Apse Mosaics, Dale Kinney
The Paradigm of Spolia, Dale Kinney
Submissions from 2017
Sentiment in Silk: Safavid Figural Textiles in Mughal Courtly Culture, Sylvia W. Houghteling
The Emperor’s Humbler Clothes: Textures of Courtly Dress in Seventeenth-Century South Asia, Sylvia W. Houghteling
Expanding the Christian Footprint: Church Building in the City and the Suburbium, Dale Kinney
The Beryozovo Cup: A Byzantine Object at the Crossroads of Twelfth-Century Eurasia, Alicia Walker
Submissions from 2016
Mask and Husk: Käthe Kollwitz’s Mourning Parents and Self-Portrait in Dialogue, Christiane Hertel
Architectural Sculpture, Dale Kinney
Patronage of Art and Architecture, Dale Kinney
The Image of a Building: Santa Maria in Trastevere, Dale Kinney
The Type of the Triconch Basilica., Dale Kinney
Submissions from 2015
Persistence and Polychronicity in Roman Churches, Dale Kinney
Submissions from 2014
Review: Paolo de Matteis: Neapolitan Painting and Cultural History in Baroque Europe by Livio Pestilli, David Cast
"Fernbild": On Otto Friedlaender Writing Vienna 1900 in Vienna 1938-1942/45, Christiane Hertel
Stroboscopic: Andy Warhol and the Exploding Plastic Inevitable, Homay King
Incorporating All For One: The First Emporer’s Tomb Mound, Jie Shi
To Die with the Buddha: The Brick Pagoda and Its Role in the Xuezhuang Tomb in Early Medieval China, Jie Shi
Submissions from 2013
Born Free? Repetition and Fantasy in The Act of Killing, Homay King
Book Review: The Lupa Romana: An Antique Monument Falls from Her Pedestal, Dale Kinney
Civis Romanus. Richard Krautheimer, Dale Kinney
Encounter: Leonard Boyle, O.P., Dale Kinney
Spoliation in Medieval Rome, Dale Kinney
Submissions from 2012
Anabasis, Homay King
Instances of Appropriation in Late Roman and Early Christian Art, Dale Kinney
Romanità a Roma: Le Basiliche del XII Secolo Fra Tradizioni e Innovazioni, Dale Kinney
Globalism, Alicia Walker
Islamicizing Motifs in Byzantine Lead Seals: Exoticizing Style and the Expression of Identity, Alicia Walker
‘The Art that Does Not Think’: Byzantine ‘Decorative Arts’ – History and Limits of a Concept, Alicia Walker
Submissions from 2011
The Pygmalion Impulse in Historic Preservation: The Dresden Zwinger, Christiane Hertel
Ancient Gems in the Middle Ages: Riches and Ready-mades, Dale Kinney
Introduction, Dale Kinney
Spolia as Signifiers in Twelfth-Century Rome, Dale Kinney
The Discourse of Columns, Dale Kinney
Review of Derrida and Antiquity, edited by Miriam Leonard, Steven Z. Levine
Off the Page and Beyond Antiquity: Ancient Romance in Medieval Byzantine Silver, Alicia Walker
Submissions from 2010
Review of A Brief History of the Artist from God to Picasso, by Paul Barolsky, David Cast
Review of Classical Sculpture and the Culture of Collecting in Britain since 1760, by Viccy Coltman, David Cast
Ecclesiastical Architecture in Rome and Central Italy, ca. 350-650, Dale Kinney
Review of Il mosaico absidale di S. Clemente a Roma: "Exemplum" della chiesa riformata, by Stefano Riccioni, Dale Kinney
Middle Byzantine Aesthetics and the Incomparability of Islamic Art: The Architectural Ekphraseis of Nikolaos Mesarites, Alicia Walker
Numismatic and Metrological Parallels for the Iconography of Early Byzantine Marriage Jewelry. The Question of the Crowned Bride, Alicia Walker
Patterns of Flight: Middle Byzantine Appropriation of the Chinese Feng-Huang Bird, Alicia Walker
Submissions from 2009
Review of The Pygmalion Effect: From Ovid to Hitchcock, by Victor I Stoichita, David Cast
Old Friends, Dale Kinney
Introduction Mapping the heavens and treading the Earth: negotiating secular and sacred in medieval art, Alicia Walker and Amanda Luyster
Submissions from 2008
Review of Classical Rhetoric and the Visual Arts in Early Modern Europe, by Caroline van Eck, David Cast
Review of Dilettanti: The Antic and the Antique in Eighteenth-Century England, by Bruce Redford, David Cast
First-Generation Diptychs in the Discourse of Visual Culture, Dale Kinney
Review of The Origins of Medieval Architecture: Building in Europe, A.D. 600-900, by Charles B. McClendon, Dale Kinney
The Triconch Sanctuaries of Sohag, Dale Kinney
Cross-cultural Reception in the Absence of Texts: The Islamic Appropriation of a Middle Byzantine Rosette Casket, Alicia Walker
Meaningful Mingling: Classicizing Imagery and Islamicizing Script in a Byzantine Bowl, Alicia Walker
Submissions from 2007
Review of James "Athenian" Stuart: The Rediscovery of Antiquity, edited by Susan Weber Soros, David Cast
Matter, Time, and the Digital: Varda's The Gleaners and I, Homay King
Sign in the Void: Ulrike Ottinger's Johanna d'Arc of Mongolia, Homay King
Bearers of Meaning, Dale Kinney
Submissions from 2006
Girl Interrupted: The Queer Time of Warhol's Cinema, Homay King
La Basilica di San Bartolomeo all'Isola Tiberina: Problemi di archeologia e di archivio, Dale Kinney
Rome in the Twelfth Century: Urbs fracta and renovatio, Dale Kinney
The Concept of Spolia, Dale Kinney
Submissions from 2005
Review of Lost in Translation, written and directed by Sofia Coppola, Homay King
Review of "Sic hostes Ianua frangit": Spolien und Trophäen im mittelalterlichen Genua, by Rebecca Müller, Dale Kinney
Review of Dalí, edited by Dawn Ades, Steven Z. Levine
New Work on the South Slope of the Byrsa Hill, Carthage (Tunisia): a Roman House Revisited, Alicia Walker and Christine Zitrides
Submissions from 2004
Review of Nicholas Hawksmoor: Rebuilding Ancient Wonders, by Vaughan Hart, David Cast
Free Indirect Affect in Cassavetes' Opening Night and Faces, Homay King
Submissions from 2003
Review of Venice's Mediterranean Colonies: Architecture and Urbanism, by Maria Georgopoulou, Dale Kinney
Submissions from 2002
Review of The London Town Garden 1700-1840, by Todd Longstaffe-Gowan, David Cast
Richard Krautheimer at the Institute of Fine Arts, Dale Kinney
The horse, the king and the cuckoo: medieval narrations of the statue of Marcus Aurelius, Dale Kinney