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Submissions from 2024

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Is Landscape Queer?, Kate Thomas

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Regarding The Lesbian Potluck, Kate Thomas

Submissions from 2023

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Review of Anxious Cinephilia: Pleasure and Peril at the Movies, Pardis Dabashi

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Review of Misfit Modernism: Queer Forms of Double Exile in the Twentieth-Century Novel, Pardis Dabashi

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‘There is no gallery’: race and the politics of space at the Capitol Theatre, New York, Pardis Dabashi

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Interior Design: The Doll's House and the Working-Class Child, Chloe Flower

Submissions from 2022

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Review of 'The Lure of the Image: Epistemic Fantasies of the Moving Camera by Daniel Morgan.', Pardis Dabashi

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Tea, Fiction, and the Imperial Sensorium, Kate Thomas

Submissions from 2019

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Whitman and Disability: An Introduction, Don James McLaughlin and Clare Mullaney

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"Let the Madness in the Music Get to You": Poetic Possibilities from the Black Sonic Underground (or, "Sound Carries"), Mecca Jamilah Sullivan

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Practices of Imagination: Learning from the Vision of Thadious Davis, Mecca Jamilah Sullivan

Submissions from 2018

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Art of Documentation: Documents and Visual Culture in Medieval England (book review), Jamie K. Taylor

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Lies, Puns, Tallies: Marital and Material Deceit in Langland and Chaucer, Jamie K. Taylor

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Fat, Thin, Sad: Victoria, Sissi, Diana and the Fate of Wax Queens, Kate Thomas

Submissions from 2017

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The Undocumented Subjects of el Hueco: Theorizing a Colombian Metaphor for Migration, Jennifer Harford Vargas

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Erotic Labor and the Black Ecstatic “Beyond” (Review), Mecca Jamilah Sullivan

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"Put My Thang Down, Flip It and Reverse It": Black Women's Interstitial Languages of Body and Desire, Mecca Jamilah Sullivan

Submissions from 2016

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The Hesitant Modernity of John Dunton, Peter M. Briggs

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Matthew Arnold's Diet, Kate Thomas

Submissions from 2015

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Transnational forms, Jennifer Harford Vargas

Submissions from 2014

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On Being Transminded: Disabling Achievement, Enabling Exchange, Anne Dalke and Clare Mullaney

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Dictating a Zafa: The Power of Narrative Form in Junot Dı´az’s The Brief Wondrous Life of Oscar Wao, Jennifer Harford Vargas

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Novel Testimony: Alternative Archives in Edwidge Danticat’s The Farming of Bones, Jennifer Harford Vargas

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A Modest Proposal: Laura Ingalls Wilder ate Zitkala-Ša, Bethany Schneider

Submissions from 2013

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Querying the "Natural": Re-thinking Classroom Ecologies, Jody Cohen and Anne Dalke

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Response to Gary Farlow, Anne Dalke

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In Search of the Unpredictable: Complexifying the Classroom in the Age of Globalization, Anne Dalke and Elizabeth McCormack

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Fat Mutha: Hip Hop’s Queer Corpulent Poetics, Mecca Jamilah Sullivan

Submissions from 2011

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Teaching Intersections, not Assessments: Celebrating the Surprise of Gift Giving and Gift Getting in the Cultural Commons, Anne Dalke and Alice Lesnick

Submissions from 2010

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Crowd-Sourcing Shakespeare: Screen Work and Screen Play in Second Life®, Katherine Rowe

Submissions from 2009

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Translating Values: Mercantilism and the Many "Biographies" of Pocahontas, Michael Tratner

Submissions from 2008

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Alimentary: Arthur Conan Doyle and Isabella Beeton, Kate Thomas

Submissions from 2007

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Emergent pedagogy: learning to enjoy the uncontrollable—and make it productive, Anne Dalke, Kimberly Cassidy, Paul Grobstein, and Doug Blank

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Introduction: Centering on the Edge, Anne Dalke and Elizabeth McCormack

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Synecdoche and Surprise: Transdisciplinary Knowledge Production, Anne Dalke and Elizabeth McCormack

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Review of Female Mourning and Tragedy in Medieval and Renaissance English Drama: From the Raising of Lazarus to King Lear, by Katharine Goodland, Jamie K. Taylor

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Review of REED in Review: Essays in Celebration of the First Twenty-Five Years, edited by Audrey Douglas and Sally-Beth MacLean, Jamie K. Taylor

Submissions from 2006

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Lovers, Filmmakers, and Nazis: Fritz Lang's Last Two Movies as Autobiography, Michael Tratner

Submissions from 2003

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Derrida's Debt to Milton Friedman, Michael Tratner

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Derrida's Debt to Milton Friedman, Michael Tratner

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Working the Crowd: Movies and Mass Politics, Michael Tratner