Submissions from 2024
Is Landscape Queer?, Kate Thomas
Regarding The Lesbian Potluck, Kate Thomas
Submissions from 2023
Review of Anxious Cinephilia: Pleasure and Peril at the Movies, Pardis Dabashi
Review of Misfit Modernism: Queer Forms of Double Exile in the Twentieth-Century Novel, Pardis Dabashi
‘There is no gallery’: race and the politics of space at the Capitol Theatre, New York, Pardis Dabashi
Interior Design: The Doll's House and the Working-Class Child, Chloe Flower
Submissions from 2022
Review of 'The Lure of the Image: Epistemic Fantasies of the Moving Camera by Daniel Morgan.', Pardis Dabashi
Tea, Fiction, and the Imperial Sensorium, Kate Thomas
Submissions from 2019
Whitman and Disability: An Introduction, Don James McLaughlin and Clare Mullaney
"Let the Madness in the Music Get to You": Poetic Possibilities from the Black Sonic Underground (or, "Sound Carries"), Mecca Jamilah Sullivan
Practices of Imagination: Learning from the Vision of Thadious Davis, Mecca Jamilah Sullivan
Submissions from 2018
Art of Documentation: Documents and Visual Culture in Medieval England (book review), Jamie K. Taylor
Lies, Puns, Tallies: Marital and Material Deceit in Langland and Chaucer, Jamie K. Taylor
Fat, Thin, Sad: Victoria, Sissi, Diana and the Fate of Wax Queens, Kate Thomas
Submissions from 2017
The Undocumented Subjects of el Hueco: Theorizing a Colombian Metaphor for Migration, Jennifer Harford Vargas
Erotic Labor and the Black Ecstatic “Beyond” (Review), Mecca Jamilah Sullivan
"Put My Thang Down, Flip It and Reverse It": Black Women's Interstitial Languages of Body and Desire, Mecca Jamilah Sullivan
Submissions from 2016
The Hesitant Modernity of John Dunton, Peter M. Briggs
Matthew Arnold's Diet, Kate Thomas
Submissions from 2015
Transnational forms, Jennifer Harford Vargas
Submissions from 2014
On Being Transminded: Disabling Achievement, Enabling Exchange, Anne Dalke and Clare Mullaney
Dictating a Zafa: The Power of Narrative Form in Junot Dı´az’s The Brief Wondrous Life of Oscar Wao, Jennifer Harford Vargas
Novel Testimony: Alternative Archives in Edwidge Danticat’s The Farming of Bones, Jennifer Harford Vargas
A Modest Proposal: Laura Ingalls Wilder ate Zitkala-Ša, Bethany Schneider
Submissions from 2013
Querying the "Natural": Re-thinking Classroom Ecologies, Jody Cohen and Anne Dalke
Response to Gary Farlow, Anne Dalke
In Search of the Unpredictable: Complexifying the Classroom in the Age of Globalization, Anne Dalke and Elizabeth McCormack
Fat Mutha: Hip Hop’s Queer Corpulent Poetics, Mecca Jamilah Sullivan
Submissions from 2011
Teaching Intersections, not Assessments: Celebrating the Surprise of Gift Giving and Gift Getting in the Cultural Commons, Anne Dalke and Alice Lesnick
Submissions from 2010
Crowd-Sourcing Shakespeare: Screen Work and Screen Play in Second Life®, Katherine Rowe
Submissions from 2009
Translating Values: Mercantilism and the Many "Biographies" of Pocahontas, Michael Tratner
Submissions from 2008
Alimentary: Arthur Conan Doyle and Isabella Beeton, Kate Thomas
Submissions from 2007
Emergent pedagogy: learning to enjoy the uncontrollable—and make it productive, Anne Dalke, Kimberly Cassidy, Paul Grobstein, and Doug Blank
Introduction: Centering on the Edge, Anne Dalke and Elizabeth McCormack
Synecdoche and Surprise: Transdisciplinary Knowledge Production, Anne Dalke and Elizabeth McCormack
Review of Female Mourning and Tragedy in Medieval and Renaissance English Drama: From the Raising of Lazarus to King Lear, by Katharine Goodland, Jamie K. Taylor
Review of REED in Review: Essays in Celebration of the First Twenty-Five Years, edited by Audrey Douglas and Sally-Beth MacLean, Jamie K. Taylor
Submissions from 2006
Lovers, Filmmakers, and Nazis: Fritz Lang's Last Two Movies as Autobiography, Michael Tratner
Submissions from 2003
Derrida's Debt to Milton Friedman, Michael Tratner
Derrida's Debt to Milton Friedman, Michael Tratner
Working the Crowd: Movies and Mass Politics, Michael Tratner