Submissions from 2023
Review of 'Rethinking the Gulag: Identities, Sources, Legacies', José Vergara
Submissions from 2022
Review of 'Nabokov in Motion: Modernity and Movement' by Yuri Leving, Tim Harte
Review of 'Psychomotor Aesthetics: Movement and Affect in Modern Literature and Film', Tim Harte
This Land Is Your Land: Andrei Bitov Travels Through the Caucasus, José Vergara
Submissions from 2021
Flap Your Wings for Goodbye: Avian Imagery in Sasha Sokolov’s Between Dog and Wolf, José Vergara
Submissions from 2019
Book Review: Socialist Senses: Film, Feeling, and the Soviet Subject, 1917–1940, Tim Harte
Book Review: The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905–1930, Tim Harte
The Embodied Language of Sasha Sokolov’s A School for Fools, José Vergara
Submissions from 2018
Elizabeth Cheresh Allen (1951-2017) IN MEMORIAM, Timothy Harte
The Distorted Images and Realities of Andrei Bitov’s Literary Photographs., José Vergara
Submissions from 2017
Marlen Khutsiev’s July Rain, cultural liberation, and a new Soviet woman, Tim Harte
Submissions from 2016
Making Scents of the Past: Stalinism’s Sights and Smells in the Films of Aleksei German, Sr., Tim Harte
Submissions from 2015
Reading the Body: Corporeal Imagery, Language, and Identity in Ivan Blatný’s Pomocná škola Bixley., José Vergara
Submissions from 2013
Monumental Melodrama: Mikhail Kalatozov’s Retrospective Return to 1920s Agitprop Cinema in I Am Cuba, Tim Harte
Cognitive Play in Daniil Kharms’ ‘Blue Notebook №10.’, José Vergara
Submissions from 2009
Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports, Tim Harte