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Submissions from 2021

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Flap Your Wings for Goodbye: Avian Imagery in Sasha Sokolov’s Between Dog and Wolf, José Vergara

Submissions from 2019

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Book Review: Socialist Senses: Film, Feeling, and the Soviet Subject, 1917–1940, Tim Harte

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Book Review: The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905–1930, Tim Harte

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The Embodied Language of Sasha Sokolov’s A School for Fools, José Vergara

Submissions from 2018

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Elizabeth Cheresh Allen (1951-2017) IN MEMORIAM, Timothy Harte

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The Distorted Images and Realities of Andrei Bitov’s Literary Photographs., José Vergara

Submissions from 2017

Marlen Khutsiev’s July Rain, cultural liberation, and a new Soviet woman, Tim Harte

Submissions from 2016

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Making Scents of the Past: Stalinism’s Sights and Smells in the Films of Aleksei German, Sr., Tim Harte

Submissions from 2015

Reading the Body: Corporeal Imagery, Language, and Identity in Ivan Blatný’s Pomocná škola Bixley., José Vergara

Submissions from 2013

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Monumental Melodrama: Mikhail Kalatozov’s Retrospective Return to 1920s Agitprop Cinema in I Am Cuba, Tim Harte

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Cognitive Play in Daniil Kharms’ ‘Blue Notebook №10.’, José Vergara

Submissions from 2009

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Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports, Tim Harte