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Didier William, Nestor Armando Gil/Taller Workshop: Swarm
Pennsylvania Academy of the Fine Arts, Laurel McLaughlin, and Mechella Yezernitskaya
Catalogue to the exhibition Swarm at the Pennsylvania Academy of the Fine Arts, June 30, 2018-September 9, 2018, curated by Laurel McLaughlin and Mechella Yezernitskaya (graduate students, History of Art, Bryn Mawr College).
The work of artists Didier William (b. 1983) and Nestor Armando Gil (b. 1971) beckons viewers, as an imperative, to physically and intellectually “swarm” conceptions of colonialism in order to disarm such narratives of power. The artists’ mixed media practices in printmaking, painting, collage, sculpture, installation, and performance are inflected by their Haitian and Cuban heritages as well as the diasporic communities they call home in the United States.
Didier William, born in Haiti and active in the United States, is a painter and printmaker, whose work critiques the historical narratives of colonialism through strategies of mythmaking. Nestor Armando Gil was born to Cuban immigrants in Florida and currently resides in the United States. His work examines movement, memory, and loss within diasporic communities in sculpture and performance.
Their experiential works provide encounters with constructed and imaginary histories of immigration. Together, their work allows for an inclusive viewing experience that disables the divisive logic of “we” versus “them” embedded within past and current discussions of immigration. Rather than adhering to previous historical outcomes, William and Gil investigate the processes of building community across diaspora, dislocation, and relocation.
This exhibition will take place in the Historic Landmark Buildings and is accompanied by public programming and an online publication featuring interviews with the artists and curatorial notes.
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The Diaries of a 'Jeune Fille en Fleurs'
Alice Gerson and Michèle Cahen Cone
Diaries in French of Alice Gerson, dating from 1900 to 1906, and covering her life in Paris and holidays in Cabourg on the Normandy coast. Introduction by her granddaughter Michèle Cahen Cone.
Alice Gerson's original journals are in the Special Collections Department of the Bryn Mawr College Library, call numbers BV98, BV99 and BV100. For hours and contact information, please see the Special Collections website.
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Mirrors & Masks: Reflections and Constructions of the Self
Steven Z. Levine and Carrie Robbins
Catalogue of an exhibition held at Bryn Mawr College March 23, 2017-June 4, 2017, curated by Steven Z. Levine and Carrie M. Robbins and students in the year-long course "Mirroring the Self/Exhibiting the Self." The exhibition, organized by 11 student curators considers the role of mirrors, masks, makeup, and masquerade in explorations of the self across the centuries and cultures that are represented in Bryn Mawr College’s Art & Artifacts Collection.
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Beyond Boundaries: Feminine Forms
Laurel McLaughlin, Mechella Yezernitskaya, Carrie Robbins, Jodi Throckmorton, and Judith Thomas
Beyond Boundaries: Feminine Forms is the first exhibition to unite two important Philadelphia collections of art by women: the Pennsylvania Academy of the Fine Arts’ (PAFA) Linda Lee Alter Collection of Art by Women and Bryn Mawr College (BMC) Special Collections’ William and Uytendale Scott Memorial Study Collection of Works by Women Artists. Laurel McLaughlin and Mechella Yezernitskaya, doctoral students in the History of Art at BMC, astutely observed the connections between these two collections and initiated this collaboration. They have curated an insightful exhibition that rigorously examines a wide range of issues related to female representation—a topic that has been addressed by artists for centuries and continues to resonate in our current political moment. In addition, their thoughtful interviews with Bill Scott and Linda Lee Alter for this catalogue give meaningful context to these groups of work and will be appreciated by art historians for many years to come. Lee and Bill share a generosity of spirit and a steadfast passion for art, which is apparent in these contemplative discussions.
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The Unknown Correspondence between I.S. Turgenev and O.D. Nelidova
Ivan S. Turgenev, Olga D. Nelidova, Anatoly Vishevsky (ed.), and Irene Nelidow (ed.)
In 2015 Elisabeth Nelidow Pantaleoni (BMC 1951) gave these 17 letters from Ivan Turgenev to her grandmother Olga Nelidova (née Khilkova) to Bryn Mawr College to be scanned and placed in the College repository, with the originals to be placed in the College manuscript collection. The letters came from the estate of her sister, Irina Nelidow (BMC AB 1950, MA 1952), who had been working on a translation and commentary with the assistance of Anatoly Vishevsky, a professor of Russian at Grinell College. Their labors produced the present introduction, translation and commentary in the mid-1990’s but Irene’s efforts to secure publication were unsuccessful.
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To the Border and Back: Visualizing and Narrating Migration
Jennifer Harford Vargas, Verónica Montes, and H. Rosi Song
As part of our Migrations and Borderlands 360° course cluster, we brought the travelling photography exhibition Del Golfo al Pacífico, which chronicles the evolution of the U.S.-Mexico border over the last three decades, to Bryn Mawr College. This exhibition was curated by El Colegio de la Frontera Norte (COLEF), a research institute in Tijuana, Mexico dedicated to studying the phenomenon of migration between the two countries. Our students used this exhibition as an analytical and artistic tool to prepare for our class trip to Tucson and Nogales, Arizona and to Tijuana. While in Mexico, we had the opportunity to do a photography workshop with Alfonso Caraveo Castro, a photographer at COLEF and one of the curators of Del Golfo al Pacífico. We asked students to select one of the photographs they took during our trip to the border and put it in dialogue with one of the COLEF photographs, narrating what they learned about migration from this experience. Collected herein are our students’ images, analyses, and meditations on the U.S.-Mexico border.
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A Century of Self-Expression: Modern American Art in the Collection of John and Joanne Payson
Students of Exhibiting Modern Art 360 2013-2014, Laurette McCarthy, John Payson, Joanne Payson, and Brian Wallace
A catalogue of the exhibition held at Bryn Mawr College February 28-June 1, 2014.
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Beneath the Printed Pattern: Display and Disguise in Ukiyo-e Bijinga
Anna Moblard Meier
Text panels and selected images from an exhibition curated by Anna Moblard Meier held in the Bryn Mawr College Class of 1912 Rare Book Room, Canaday Library, from September 25, 2013- December 20, 2013.
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Bryn Mawr Talks: Karen MacAusland Tidmarsh, Undergraduate Dean of Bryn Mawr College (1990-2010)
Karen M. Tidmarsh
A volume of talks given by Karen Tidmarsh at Bryn Mawr College and elsewhere between 1990 and 2010, prepared by Richard Hamilton, Jan Trembley, and Harrison Eiteljorg, II, for distribution at the memorial service held at Bryn Mawr College on September 28, 2013.
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Docu-Commencement
Brian Wallace, Kay Healy, James Johnson, Jennifer Levonian, and Gilbert Plantinga
New print, photographic, sculptural, video, and installation works based on intensive artist residencies held during Bryn Mawr College’s 2012 Commencement weekend.
Exhibition held at Bryn Mawr College Class of 1912 Rare Book Room, Canaday Library, from October 25 to December 14, 2012.
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Double Take: Selected Views from the Photography Collection at Bryn Mawr College, 1860s-Present
Carrie Robbins
Exhibition held at Bryn Mawr College Class of 1912 Rare Book Room, Canaday Library, from September 27 to December 22, 2011.
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Old Masters and Modern Muses: Red Grooms's Portraits of Artists, 1957-2009
Bryn Mawr College
Catalogue of an exhibition held at Bryn Mawr College March 25-June 5, 2010.
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Worlds To Discover: 125 Years of Collections at Bryn Mawr College
Bryn Mawr College
Exhibition held at Bryn Mawr College Class of 1912 Rare Book Room, Canaday Library, from September 24, 2010-May 28, 2011.
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Ten Years of the Agnes Kirsopp Lake Michels Lectures at Bryn Mawr College
Suzanne B. Faris and Lesley E. Lundeen
Table of Contents
1. Marriage and Motherhood in Roman Egypt, Bruce W. Frier
2. The Roman Version, W.V. Harris
3. Flora and the Sibyl, Robert Palmer
4. Horace 3.23: Ritual and Art, Michael C.J. Putnam
5. Founding the City, Jerzy Linderski
6. Case Study I: Tullia, Susan Treggiari
7. Thucydides the Prehistorian, Jeffrey Rusten
8. Dryden's Virgil and the Politics of Translation, Richard F. Thomas
9. The Occasion of Thucydides' History of the Peloponnesian War, Mark Munn 10. Mea Tempora: Patterning of Time in the Metamorphoses, Denis Feeney -
Troy and the Trojan War: A Symposium Held at Bryn Mawr College, October 1984
Machteld J. Mellink
On October 19, 1984, the Departments of Greek, Latin and Classical and Near Eastern Archaeology of Bryn Mawr College held a symposium on the Trojan War as part of the celebrations of the Centennial of Bryn Mawr College, 1885-1985.
Table of Contents
I. TROY: TOPOGRAPHY AND NAVIGATION by Manfred Korfmann
II. BEŞIK TEPE: NEW EVIDENCE FOR THE PERIOD OF THE TROJAN SIXTH AND SEVENTH SETTLEMENTS by Manfred Korfmann
III. REMINISCENCES OF TROY by Jerome Sperling
IV. TROY IN HITTITE TEXTS? WILUSA, AHHIYAWA, AND HITTITE HISTORY by Hans G. Güterbock
V. THE LANGUAGE OF THE TROJANS by Calvert Watkins
VI. THE PHYSICAL IDENTITY OF THE TROJANS by J. Lawrence Angel
VII. "PRIAM'S CASTLE BLAZING" A THOUSAND YEARS OF TROJAN MEMORIES by Emily D.T. Vermeule
VIII. POSTSCRIPT by Machteld J. Mellink -
Bryn Mawr College
Caroline S. Rittenhouse and Bryn Mawr College
Photographs from the Bryn Mawr College Archives, the Alumnae Bulletin, and the Office of Public Information
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Of What Use Are Old Books?
Phyllis Goodhart Gordan
Text of a talk given by Phyllis Goodhart Gordan on April 4, 1972, at the Bryn Mawr College Library. A talk "to celebrate the adding of the one-thousandth incunabulum to the Bryn Mawr College Library." Introduction by Doreen Canaday Spitzer, and afterword on the 1000th incunabulum by James Tanis.
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Appraisal: Wyndham Hall, Bryn Mawr College (1969)
The Manufacturers' Appraisal Company
An appraisal of the furniture and furnishings of Wyndham Hall, performed by The Manufacturers' Appraisal Company in 1969.
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A History of the Deanery, Bryn Mawr College
Ruth Levy Merriam
A History of the Deanery, Bryn Mawr College
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Appraisal: The Deanery, Bryn Mawr, PA (1963)
The Manufacturers' Appraisal Company
An appraisal of the furniture and furnishings of the Deanery, performed by The Manufacturers' Appraisal Company in 1963.
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The History of Bryn Mawr, 1683-1900
Barbara Alyce Farrow
Based on a thesis submitted in 1957 to Westminster College, New Wilmington, Pennsylvania.
CONTENTS: Foreword (by Catherine Drinker Bowen); Preface; I-Introduction; II-Geography and Background; III-"Bryn Mawr" and "Harriton"; IV-Humphreysville; V-Roads; VI-Railroads; VII-Taverns, Hotels, and Inns; VIII-Development of Bryn Mawr; IX-The Religious Life; X-Education; XI-Town Development; XII-Conclusion; Index.
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Fifteenth-century Books in the Library of Howard Lehman Goodhart With a Description and Check List
Phyllis Walter Goodhart Gordan
Contains a paper "The Medieval Library at Bryn Mawr," by Phyllis Gordan, a checklist of the incunabula given by Howard Lehman Goodhart to the Bryn Mawr College Library, and a checklist of the incunabula given by Howard Lehman Goodhart to Phyllis Goodhart Gordan.
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Appraisal: The Deanery, Bryn Mawr, PA (1954)
The Manufacturers' Appraisal Company
An appraisal of the furniture and furnishings of the Deanery, performed by The Manufacturers' Appraisal Company in 1954.
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